Christoph Cox is Professor of Philosophy at Hampshire College and Faculty at the Center for Curatorial Studies, Bard College. The author of Nietzsche: Naturalism and Interpretation (University of California Press, 1999) and co-editor of Audio Culture: Readings in Modern Music (Continuum, 2004), Cox is also a regular contributor to Artforum and The Wire, and editor-at-large at Cabinet. He has curated exhibitions at The Kitchen (New York City), the Contemporary Arts Museum (Houston), New Langton Arts (San Francisco), and G Fine Art Gallery (Washington D.C.) and has written catalog essays for exhibitions throughout the United States and Europe. He is currently writing a book about ontology and temporality in sound art from the 1960s to the present. Christoph has also previously been involved in a Bergen–based artistic constellation, as he contributed with a text about sound art in Kunstjournalen B-post in 2007.